Monday, July 17, 2017

VIDEOS: Psychedelic Scenes of Pink Floyd’s Early Days with Syd Barrett, 1967

by Mike Springer, Open Culture: http://www.openculture.com/2013/09/psychedelic-scenes-of-pink-floyds-early-days-with-syd-barrett-1967.html

Roger Waters of Pink Floyd turns 70 years old today. Waters was the principal songwriter and dominant creative force during the band's famous 1970s period, when it released a string of popular and influential concept albums such as Dark Side of the MoonWish You Were Here and The Wall. But today we thought it would be interesting to take you all the way back to 1967, when Waters was 23 years old and the band was led by his childhood friend Syd Barrett.
The video above is from a May 14, 1967 broadcast of the BBC program The Look of the Week. Pink Floyd hadn't released an album yet. Only two nights earlier the band had staged its attention-getting "Games for May" concert at the Queen Elizabeth Hall. In the TV broadcast, Pink Floyd plays its early favorite "Astronomy Domine" before Waters and Barrett sit down for a rather tense interview with the classically trained musician and critic Hans Keller. It's amusing to watch Keller's face as he expresses his extreme irritation at the band's loud, strange music. "My verdict is that its a little bit of a regression to childhood," he says with a grimace. "But after all, why not?"
Waters and Barrett manage to hold their own during the interview. Barrett comes across as lucid and well-spoken, despite the fact that his heavy LSD use and mental instability would soon make him unable to function within the band. By December of 1967, Pink Floyd would add guitarist David Gilmour to the lineup to compensate for Barrett's erratic behavior. By March of 1968 -- only 10 months after the BBC broadcast -- Barrett would quit the group.
We'll close with an even earlier video of Pink Floyd onstage. Filmed on January 27, 1967 at the legendary UFO club in London, the clip is from the February 7, 1967 Granada TV documentary So Far Out It's Straight Down. It shows the band playing another major song from its psychedelic era, "Interstellar Overdrive."

Friday, July 14, 2017

VIDEOS: Miles Davis Opens for Neil Young and “That Sorry-Ass Cat” Steve Miller at The Fillmore East (1970)

by  , Open Culture: http://www.openculture.com/2015/05/miles-davis-opens-for-neil-young-and-the-steve-miller-band-1970.html

The story, the many stories, of Miles Davis as an opening act for several rock bands in the 1970s make for fascinating reading. Before he blew the Grateful Dead’s minds as their opening act at the Fillmore West in April 1970 (hear both bands’ sets here), Davis and his all-star Quintet---billed as an "Extra Added Attraction"---did a couple nights at the Fillmore East, opening for Neil Young and Crazy Horse and The Steve Miller Band in March of 1970. The combination of Young and Davis actually seems to have been rather unremarkable, but there is a lot to say about where the two artists were individually.
Nate Chinen in at Length describes their meeting as a “minimum orbit intersection distance”—the “closest point of contact between the paths of two orbiting systems.” Both artists were “in the thrall of reinvention,” Young moving away from the smoothness of CSNY and into free-form anti-virtuosity with Crazy Horse; Davis toward virtuosity turned back into the blues. Miles, suggested jazz writer Greg Tate, was “bored fiddling with quantum mechanics and just wanted to play the blues again.” The story of Davis and Young at the Fillmore East is best told by listening to the music both were making at the time. Hear "Cinnamon Girl" below and the rest of Neil Young and Crazy Horse’s incredible set here. The band had just released their beautifully ragged Everybody Knows this is Nowhere.
When it comes to the meeting of Davis and Steve Miller, the story gets juicier, and much more Miles: the difficult performer, not the impossibly cool musician. (It sometimes seems like the word “difficult” was invented to describe Miles Davis.) The trumpeter's well-earned egotism lends his legacy a kind of rakish charm, but I don’t relish the positions of those record company executives and promoters who had to wrangle him, though many of them were less than charming individuals themselves. Columbia Records’ Clive Davis, who does not have a reputation as a pushover, sounds alarmed in his recollection of Miles’ reaction after he forced the trumpeter to play the Fillmore dates to market psychedelic jazz-funk masterpiece Bitches Brew to white audiences.
According to John Glatt, Davis remembers that Miles “went nuts. He told me he had no interest in playing for ‘those fu*king long-haired kids.’” Particularly offended by The Steve Miller Band, Davis refused to arrive on time to open for an artist he deemed “a sorry-ass cat,” forcing Miller to go on before him. “Steve Miller didn’t have his shit going for him,” remembers Davis in his expletive-filled autobiography, “so I’m pissed because I got to open for this non-playing motherfu*ker just because he had one or two sorry-ass records out. So I would come late and he would have to go on first and then when we got there, we smoked the motherfu*king place, and everybody dug it.” There is no doubt Davis and Quintet smoked. Hear them do “Directions” above from an Early Show on March 6, 1970.
“Directions,” from unreleased tapes, is as raw as they come, “the intensity,” writes music blog Willard’s Wormholes, “of a band that sounds like they were playing at the The Fillmore to prove something to somebody… and did.” The next night’s performances were released in 2001 as It’s About That Time. Hear the title track above from March 7th. As for The Steve Miller Blues Band? We have audio of their performance from that night as well. Hear it below. It's inherently an unfair comparison between the two bands, not least because of the vast difference in audio quality. But as for whether or not they sound like “sorry-ass cats"... well, you decide.
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